All Critics (56) | Top Critics (13) | Fresh (53) | Rotten (3) | DVD (1)
Whether you're familiar with Pina Bausch's work or not, the new film "Pina" is a knockout.
So this is what 3-D is capable of when used for art rather than the commerce of hiking ticket prices and repurposing cartoons!
Pina is, in every way, a moving experience.
It should appeal to dance mavens, and to folks who have no idea what a pas de deux is.
The power and intelligence of Bausch's approach, which at times seems more cerebral than sensual, is communicated.
An intimate and ravishingly filmed tribute to German dancer Pina Bausch.
An exhilarating experience, both in its celebration of Bausch's groundbreaking work and in the thrilling way that Wenders captures it on camera.
It's not an overview of Bausch's career or a statement on her art, but a celebration of her work and the dancers who bring it to life.
This is a stunning film, a glorious homage to modern dance and one of its premier authors and the best justification of 3D technology to date.
With a breakout use of 3D for artistic rather than solely commercial blockbuster purposes, German director Wim Wenders gives extraordinary life to the work of choreographer Pina Bausch.
From the hauntingly beautiful to the scary, Pina Bausch's post-modern dance sparkles in 3D.
It's an enchanting film, one that makes you feel you are missing something dear if you don't dance or appreciate it as an art form.
An often exhilarating, lively, magical and breathtaking experience of Pina Bausch's art.
A welcome departure from the by-the-numbers fossilization in today's documentary deluge.
Thanks to 3D technology it's dance film quite unlike any other, which was filmmaker Wim Wenders' intention, and it's a transporting experience for the uninitiated and the cognoscenti alike.
...filmmaking as glorious music.
An amazing and appealing 3D documentary by the inimitable Wim Wenders on the innovative dancer and choreographer Pina Bausch.
A movie that does more than demolish the invisible wall between film and dance; it breaks the barrier that intervenes, even at a live performance, between seat and stage.
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Source: http://www.rottentomatoes.com/m/pina_3d/
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